WHITE CUBE VILLAS 01

WHITE CUBE VILLAS

SUMMER VILLAS / MYKONOS
PROPOSAL

MIKE KRAOUNAKIS

DOROTHEA ALIGIANNI

THEODOROPOULOU ALEXIA

KOSTAS PALIOGIANNIS

This complex of luxury villas in Mykonos features a northeast orientation providing absolute privacy from the street level as, due to the plot’s steep slope, the villa’s entrance is almost at the first floor’s level.

The houses’ main structure is based on the monolithic volumes of Mykonian architecture. Due to the plot’s shape, the houses are designed next to each other, creating a single composition, which is visually and functionally divided by placing them on different levels. The strict geometry of these volumes and the outdoor space design, creates contrasts with the curved lines of each house’s pool.

The materials selected reproduce the traditional principles of the local Cycladic architecture, while the contrast created from the use of the plaster’s white colour with the stone’s grey-brown colour, visually divides the complex’s scale and harmoniously integrates in its environment. The beige coloured cement mortar combines the above two colour tones in a palette of soft and earthy shades.

WHITE CUBE VILLAS 02

This complex of luxury villas in Mykonos features a northeast orientation providing absolute privacy from the street level as, due to the plot’s steep slope, the villa’s entrance is almost at the first floor’s level.

The houses’ main structure is based on the monolithic volumes of Mykonian architecture. Due to the plot’s shape, the houses are designed next to each other, creating a single composition, which is visually and functionally divided by placing them on different levels. The strict geometry of these volumes and the outdoor space design, creates contrasts with the curved lines of each house’s pool.

The materials selected reproduce the traditional principles of the local Cycladic architecture, while the contrast created from the use of the plaster’s white colour with the stone’s grey-brown colour, visually divides the complex’s scale and harmoniously integrates in its environment. The beige coloured cement mortar combines the above two colour tones in a palette of soft and earthy shades.

AMAHLE

SUMMER VILLAS / ANTIPATA, KEFALONIA
COMPLETED 2023

This complex of three vacation villas is situated on a plot with a steep slope and lush vegetation, in the village of Antipata of Kefalonia. The main goal of the architectural study was the creation of a complex that would be harmoniously integrated with its surrounding environment, adjusting the buildings themselves with the human scale, framing at the same time the distant view to Ithaca and Lefkada.

The complex reproduces aesthetically and experientially the atmosphere of a small settlement, while creating a sense of security and privacy for each house separately, due to their placement on different levels. Each house consists of the main living areas, two bedrooms with private bathrooms and an outdoor area with a pool and sitting space.

In terms of form, parallel stone walls form linear volumes, in which are enclosed spaces sheltered with the traditional double-pitched roof of Kefalonian architecture. The sliding doors of all areas are oriented overlooking the Ionian Sea, intensifying the element of transparency on the facades of the villas unifying, at the same time, the interior with the exterior.

The beige stone with the corresponding mortar colour in combination with the plaster of the same tone, creates a whole, with a variety of texture, providing, with the use of wood, an even warmer tone to the whole complex.

MIKE KRAOUNAKIS

DOROTHEA ALIGIANNI

LENA KARRA

k-division

ZACHARIAS DIMITRIADIS

This complex of three vacation villas is situated on a plot with a steep slope and lush vegetation, in the village of Antipata of Kefalonia. The main goal of the architectural study was the creation of a complex that would be harmoniously integrated with its surrounding environment, adjusting the buildings themselves with the human scale, framing at the same time the distant view to Ithaca and Lefkada.

The complex reproduces aesthetically and experientially the atmosphere of a small settlement, while creating a sense of security and privacy for each house separately, due to their placement on different levels. Each house consists of the main living areas, two bedrooms with private bathrooms and an outdoor area with a pool and sitting space.

In terms of form, parallel stone walls form linear volumes, in which are enclosed spaces sheltered with the traditional double-pitched roof of Kefalonian architecture. The sliding doors of all areas are oriented overlooking the Ionian Sea, intensifying the element of transparency on the facades of the villas unifying, at the same time, the interior with the exterior.

The beige stone with the corresponding mortar colour in combination with the plaster of the same tone, creates a whole, with a variety of texture, providing, with the use of wood, an even warmer tone to the whole complex.

COSTA D’ORO 01

COSTA D’ORO

4* HOTEL / ARGOSTOLI, KEFALONIA
PROPOSAL

MIKE KRAOUNAKIS

DOROTHEA ALIGIANNI

DOROTHEA ALIGIANNI

The proposal concerns the design of a 4* hotel with a capacity of 54 beds on the beachfront of Argostoli, in Kefalonia island, in an otherwise poorly designed environment lacking architectural principles and style, due mostly to the constructions built after the 1953 earthquake.

Morphologically, the building has been designed to combine characteristic forms of traditional Kefalonian architecture in a modern concept. Thus, the elements of the arch and the roof,  characteristic elements of the local architecture, visually dominate the facades.

The complex’s’ development is done following a “P-shaped” layout around an atrium, which is the core of the whole composition. At the street level, an arch-shaped elevated base is designed, creating an arcade, off-center of which is the main entrance of the complex, providing visual contact to the welcome area, as well as dining and leisure spaces, while providing an increased sense of privacy in the pool area as well as in the rooms, located at the back of the ground floor.

The first and the second floor levels are designed as single volumes ending in single and double-pitched roofs, standing on the ground floor ‘s solid base. The rooms’ access of these levels is done through open corridors which expand visually and spatially to the inner atrium. The various shades of cement mortar in combination with the use of wood and vegetation, give a fresh and warm character to the complex’s’ facades.

COSTA D’ORO 02

The proposal concerns the design of a 4* hotel with a capacity of 54 beds on the beachfront of Argostoli, in Kefalonia island, in an otherwise poorly designed environment lacking architectural principles and style, due mostly to the constructions built after the 1953 earthquake.

Morphologically, the building has been designed to combine characteristic forms of traditional Kefalonian architecture in a modern concept. Thus, the elements of the arch and the roof,  characteristic elements of the local architecture, visually dominate the facades.

The complex’s’ development is done following a “P-shaped” layout around an atrium, which is the core of the whole composition. At the street level, an arch-shaped elevated base is designed, creating an arcade, off-center of which is the main entrance of the complex, providing visual contact to the welcome area, as well as dining and leisure spaces, while providing an increased sense of privacy in the pool area as well as in the rooms, located at the back of the ground floor.

The first and the second floor levels are designed as single volumes ending in single and double-pitched roofs, standing on the ground floor ‘s solid base. The rooms’ access of these levels is done through open corridors which expand visually and spatially to the inner atrium. The various shades of cement mortar in combination with the use of wood and vegetation, give a fresh and warm character to the complex’s’ facades.

OCC BAR 01

OCC BAR

BAR / ATHENS
COMPLETED 2011

MIKE KRAOUNAKIS

MIKE KRAOUNAKIS

On the rooftop of the Onassis Cultural Centre of Athens we were commissioned to design a bar, as part of the underlying restaurant housed on the sixth floor of the building. Our main goal was to harmonize the bar’s design with the building’s overall design through a pleasant space where one would enjoy the abundant view, both to the sea to the south and the Acropolis in the centre of Athens.

The extensive use of different marble slabs on the building’s facade, inspired us to create a marble volume, consisting of two different marbles: Dionysus marble for the building’s staircase volume and beige onyx for the bar’s facade. Especially the choice of the latter was made for its impressive appearance during the day as well as its light-transmitting nature, providing the corresponding lighting effect, at night in the bar.

Sheltering this space, a grid of H-shaped both for the beams and columns metal structure was designed. Especially the columns were lined with a metal sheet to obtain a round finish which is softer in both texture and appearance as well. Inside this grid, automatic shading systems were installed to provide shading during the day and also protect from rain.

At last, the application of wood on the floor as well as the planting in selected parts of the space, give the appropriate warm atmosphere, while creating the corresponding microclimate.

OCC BAR 03
OCC BAR 04
OCC BAR 05
OCC BAR 06
OCC BAR 07
OCC BAR 08

On the rooftop of the Onassis Cultural Centre of Athens we were commissioned to design a bar, as part of the underlying restaurant housed on the sixth floor of the building. Our main goal was to harmonize the bar’s design with the building’s overall design through a pleasant space where one would enjoy the abundant view, both to the sea to the south and the Acropolis in the centre of Athens.

The extensive use of different marble slabs on the building’s facade, inspired us to create a marble volume, consisting of two different marbles: Dionysus marble for the building’s staircase volume and beige onyx for the bar’s facade. Especially the choice of the latter was made for its impressive appearance during the day as well as its light-transmitting nature, providing the corresponding lighting effect, at night in the bar.

Sheltering this space, a grid of H-shaped both for the beams and columns metal structure was designed. Especially the columns were lined with a metal sheet to obtain a round finish which is softer in both texture and appearance as well. Inside this grid, automatic shading systems were installed to provide shading during the day and also protect from rain.

At last, the application of wood on the floor as well as the planting in selected parts of the space, give the appropriate warm atmosphere, while creating the corresponding microclimate.

UNRAVELED 01

UNRAVELED

SUMMER VILLAS / ARGOSTOLI, KEFALONIA
UNDER CONSTRUCTION

MIKE KRAOUNAKIS

DOROTHEA ALIGIANNI

KOSTAS PALIOGIANNIS

This complex of three vacation villas is situated on a plot with 180 * view, in Lixouri, Kefalonia.The buildings are shaped as monolithic “cubes” while rendered with a diversity of materials. By splitting the building’s scale and with the parallel use of horizontal and vertical elements, the building is harmonized with the human scale, framing the views and at the same time providing security and privacy.

A key element featuring in all three houses is double pitched roof, an important element of the traditional architecture of Kefalonia. The roof is being reproduced as a form in the exterior, expanding the living spaces, offering shading at the same time, through its structure, while creating an interesting interaction of light and shadow and intensifying the sense of interior and exterior spaces into a single entity.

The selected materials reproduce in a sense the traditional architectural standards, while the villas’ forms oppose the respective traditional forms, creating a very interesting contrast and diversity of forms and textures. Thus, the building’s base, as the most solid element, as well as the pools and supporting walls, are built from local stone with white mortar, while the building itself is finished with coloured plaster.

UNRAVELED 02
UNRAVELED 03
UNRAVELED 04

This complex of three vacation villas is situated on a plot with 180 * view, in Lixouri, Kefalonia.The buildings are shaped as monolithic “cubes” while rendered with a diversity of materials. By splitting the building’s scale and with the parallel use of horizontal and vertical elements, the building is harmonized with the human scale, framing the views and at the same time providing security and privacy.

A key element featuring in all three houses is double pitched roof, an important element of the traditional architecture of Kefalonia. The roof is being reproduced as a form in the exterior, expanding the living spaces, offering shading at the same time, through its structure, while creating an interesting interaction of light and shadow and intensifying the sense of interior and exterior spaces into a single entity.

The selected materials reproduce in a sense the traditional architectural standards, while the villas’ forms oppose the respective traditional forms, creating a very interesting contrast and diversity of forms and textures. Thus, the building’s base, as the most solid element, as well as the pools and supporting walls, are built from local stone with white mortar, while the building itself is finished with coloured plaster.

HEAD TO TOP 01

HEAD TO TOP

HOSPITALITY / ATHENS
PROPOSAL

MIKE KRAOUNAKIS

KOSTAS PALIOGIANNIS

In this project, we were assigned the functional and aesthetic upgrade of the reception area, bar and other supporting areas of the ground floor as well as the rooftop’s complete restructuring of the “The Stanley Hotel” in the centre of Athens, in order to satisfy the ever-increasing needs of the modern traveller.

Regarding the ground floor spaces, we were instructed, while maintaining most of the uses in their existing locations, to incorporate in our design a large inactive space facing Karaiskaki Square as part of the reception area whereas the bar needed a complete renovation.

The need to create a new entrance for the hotel from Karaiskaki Square, led us to design a new reception at the centre of the ground floor, serving both entrances at the same time, the new one along with the existing one from Odysseos Street. Thus, an axis was designed, conceptually unifying the two entrances and at the same time creating an internal circulation, inviting the modern traveller to explore the ground floor, while offering him a strong first impression of this hotel. The bar, with its characteristic location at the junction of the two facades, was designed from scratch to be a pole of attraction for both hotel guests and outside visitors.

Following the same spirit on the rooftop, we redesigned the pool area, open-air bar and restaurant, in order to meet the ground floor’s new style of. This new design with a choice of materials in earthy colours while highlighting the already existing materials such as travertine marble, combined with the unobstructed view of the Acropolis and Lycabettus and the element of water, offers unique sensations and experiences to the modern traveller.

HEAD TO TOP 02
HEAD TO TOP 03
HEAD TO TOP 04
HEAD TO TOP 05
HEAD TO TOP 06
HEAD TO TOP 07

In this project, we were assigned the functional and aesthetic upgrade of the reception area, bar and other supporting areas of the ground floor as well as the rooftop’s complete restructuring of the “The Stanley Hotel” in the centre of Athens, in order to satisfy the ever-increasing needs of the modern traveller.

Regarding the ground floor spaces, we were instructed, while maintaining most of the uses in their existing locations, to incorporate in our design a large inactive space facing Karaiskaki Square as part of the reception area whereas the bar needed a complete renovation.

The need to create a new entrance for the hotel from Karaiskaki Square, led us to design a new reception at the centre of the ground floor, serving both entrances at the same time, the new one along with the existing one from Odysseos Street. Thus, an axis was designed, conceptually unifying the two entrances and at the same time creating an internal circulation, inviting the modern traveller to explore the ground floor, while offering him a strong first impression of this hotel. The bar, with its characteristic location at the junction of the two facades, was designed from scratch to be a pole of attraction for both hotel guests and outside visitors.

Following the same spirit on the rooftop, we redesigned the pool area, open-air bar and restaurant, in order to meet the ground floor’s new style of. This new design with a choice of materials in earthy colours while highlighting the already existing materials such as travertine marble, combined with the unobstructed view of the Acropolis and Lycabettus and the element of water, offers unique sensations and experiences to the modern traveller.

BLACK & WHITE DISPLAY 01

BLACK & WHITE DISPLAY

RESIDENCE / VARI
UNDER CONSTRUCTION

MIKE KRAOUNAKIS

DOROTHEA ALIGIANNI

ALEXIA THEODOROPOULOU

KOSTAS PALIOGIANNIS

On a plot in front of a public square, we were commissioned to design a contemporary house for a family of four. The small area as well as the orientation of the plot, led us to a design in which the building’s volume itself “generates” the corresponding outdoor spaces, sheltered or not. The residence is essentially composed of two rectangular volumes, a less solid one on the ground floor through which emerges a solid second one, that seems to hover, reaching the plot’s end, while creating a strong boundary towards the public square.

The handling of voids and fills follows the spaces being developed within this cubistic housing. Thus, the ground floor where the living areas are located, is placed in retreat while at the same time, through a large glass wall, it “opens” to the plot’s front yard, providing direct contact with the outdoor space. On the contrary, the first floor, where the bedrooms of the house are located, being on the second level, reaches the plot’s boundary, providing controlled contact with the public square. The strict geometry and shape of the building “lightens” at the top of the highest volume, where it unfolds through a single-pitched roof, while housing the first floor’s attic.

The white plaster is combined with the anthracite colour of both the roof’s cantilever and the window frames, in a game of contrasts and geometry. Finally, the perforated metal fence, in combination with the dense planting, provide the appropriate privacy to this residence.

BLACK & WHITE DISPLAY 02
BLACK & WHITE DISPLAY 03

On a plot in front of a public square, we were commissioned to design a contemporary house for a family of four. The small area as well as the orientation of the plot, led us to a design in which the building’s volume itself “generates” the corresponding outdoor spaces, sheltered or not. The residence is essentially composed of two rectangular volumes, a less solid one on the ground floor through which emerges a solid second one, that seems to hover, reaching the plot’s end, while creating a strong boundary towards the public square.

The handling of voids and fills follows the spaces being developed within this cubistic housing. Thus, the ground floor where the living areas are located, is placed in retreat while at the same time, through a large glass wall, it “opens” to the plot’s front yard, providing direct contact with the outdoor space. On the contrary, the first floor, where the bedrooms of the house are located, being on the second level, reaches the plot’s boundary, providing controlled contact with the public square. The strict geometry and shape of the building “lightens” at the top of the highest volume, where it unfolds through a single-pitched roof, while housing the first floor’s attic.

The white plaster is combined with the anthracite colour of both the roof’s cantilever and the window frames, in a game of contrasts and geometry. Finally, the perforated metal fence, in combination with the dense planting, provide the appropriate privacy to this residence.

ALICE IN STYLE 01

ALICE IN STYLE

RESIDENCE / KIFISSIA
COMPLETED 2019

MIKE KRAOUNAKIS

SEHANDE DIANA

PANAGIOTIS VOUMVAKIS

In the apartment complex “Dryades” in Kifissia, work of the internationally renowned architects Tombazis Alexandros and Mouzakis Ioannis in 1975, we were commissioned the reconstruction of a four-member family apartment, which occupies the fifth and sixth floors of one of the six towers. The construction of this complex was realized with prefabricated concrete elements for the slabs and walls, and in-situ concrete construction for the flooring, elements which were very innovative at that time. Therefore, a key element of our design was to map the strong architectural principles of modernism throughout the building and highlight them, through a simple design of interventions aiming at a combination of contrasts and uniformity.

The architectural elements that highlighted the historical value of the complex were not only preserved but highlighted as well in our design, and those that needed to be replaced were replaced with modern materials, while retro materials and colors, mainly in the bathrooms, were redefined following the modern trends. Both the choice of materials, the various furniture and lighting, as well as the constructions that we designed, are strongly reminiscent of the characteristics of the 70’s while at the same time, they exude the dynamism of the modern era, reminding us of the inseparable relationship and the influence of various art trends in architecture.

Forty years later, modernism is an insurmountable movement of art and architecture, an inexhaustible reservoir of design ideas and, consequently, of lifestyle.

ALICE IN STYLE 02
ALICE IN STYLE 03
ALICE IN STYLE 04
ALICE IN STYLE 05
ALICE IN STYLE 06
ALICE IN STYLE 07
ALICE IN STYLE 08
ALICE IN STYLE 10
ALICE IN STYLE 11
ALICE IN STYLE 12
ALICE IN STYLE 13
ALICE IN STYLE 14
ALICE IN STYLE 15
ALICE IN STYLE 16
ALICE IN STYLE 17
ALICE IN STYLE 18
ALICE IN STYLE 19
ALICE IN STYLE 20
ALICE IN STYLE 21
ALICE IN STYLE 22

In the apartment complex “Dryades” in Kifissia, work of the internationally renowned architects Tombazis Alexandros and Mouzakis Ioannis in 1975, we were commissioned the reconstruction of a four-member family apartment, which occupies the fifth and sixth floors of one of the six towers. The construction of this complex was realized with prefabricated concrete elements for the slabs and walls, and in-situ concrete construction for the flooring, elements which were very innovative at that time. Therefore, a key element of our design was to map the strong architectural principles of modernism throughout the building and highlight them, through a simple design of interventions aiming at a combination of contrasts and uniformity.

The architectural elements that highlighted the historical value of the complex were not only preserved but highlighted as well in our design, and those that needed to be replaced were replaced with modern materials, while retro materials and colors, mainly in the bathrooms, were redefined following the modern trends. Both the choice of materials, the various furniture and lighting, as well as the constructions that we designed, are strongly reminiscent of the characteristics of the 70’s while at the same time, they exude the dynamism of the modern era, reminding us of the inseparable relationship and the influence of various art trends in architecture.

Forty years later, modernism is an insurmountable movement of art and architecture, an inexhaustible reservoir of design ideas and, consequently, of lifestyle.

MAMA - TERRA 01

MAMA TERRA

RESIDENCE / AEGINA
PERMIT

MIKE KRAOUNAKIS

DOROTHEA ALIGIANNI

KOSTAS PALIOGIANNIS

Aiming at the natural landscape’s least possible intervention while having as a priority the ground’s slope restoration, a buried development of the house seemed as a natural choice in the initial synthetic process for reasons of integration, but also to serve the owners’ needs. The design was oriented towards a linear development which penetrates the ground, providing an unobstructed view and access to the exterior space from any area of ​​the house.

In terms of form, the house is divided based on its respective uses into two wings, on both sides of the entrance’s the axis, which unfolds from the house’s underground level into its ground level. The living, dining room and kitchen are located in the East section, while in the west section, one can find the bedrooms with their private bathrooms.

The use of large sliding doors in the house’s facade, contribute experientially to the panoramic views of the Moni island and the Saronic Gulf, while unifying visually and spatially the interior with the exterior. In the planted roof with the ground’s natural slope, vertical voids are created for lighting and ventilation purposes.

The choice of Aeginian stone, which is a characteristic material of traditional Aeginian architecture, in the form of dry stone wall, fits harmoniously into the natural landscape. This dry-stone zigzag of the facade, forms the house’s spaces, in a dialogue of textures and colors with the solid cantilever of exposed concrete that holds the upper level’s natural ground.

MAMA - TERRA 02
MAMA - TERRA 03
MAMA - TERRA 04
MAMA - TERRA 05
MAMA - TERRA 06
MAMA - TERRA 07
MAMA - TERRA 08
MAMA - TERRA 09

Aiming at the natural landscape’s least possible intervention while having as a priority the ground’s slope restoration, a buried development of the house seemed as a natural choice in the initial synthetic process for reasons of integration, but also to serve the owners’ needs. The design was oriented towards a linear development which penetrates the ground, providing an unobstructed view and access to the exterior space from any area of ​​the house.

In terms of form, the house is divided based on its respective uses into two wings, on both sides of the entrance’s the axis, which unfolds from the house’s underground level into its ground level. The living, dining room and kitchen are located in the East section, while in the west section, one can find the bedrooms with their private bathrooms.

The use of large sliding doors in the house’s facade, contribute experientially to the panoramic views of the Moni island and the Saronic Gulf, while unifying visually and spatially the interior with the exterior. In the planted roof with the ground’s natural slope, vertical voids are created for lighting and ventilation purposes.

The choice of Aeginian stone, which is a characteristic material of traditional Aeginian architecture, in the form of dry stone wall, fits harmoniously into the natural landscape. This dry-stone zigzag of the facade, forms the house’s spaces, in a dialogue of textures and colors with the solid cantilever of exposed concrete that holds the upper level’s natural ground.

MIRALICE 01

MIRALICE

ALL DAY BAR & RESTAURANT / AEGINA
COMPLETED 2020

MIKE KRAOUNAKIS

DOROTHEA ALIGIANNI

ALEXIA THEODOROPOULOU

PANAGIOTIS VOUMVAKIS

Miralice is an all-day bar & restaurant, channelling the glamour of Art Deco through a contemporary and playful tropical lens, resembling the movement’s influence in Miami.

The listed building of the late 19th century in which Miralice is founded consists of a ground floor and a mezzanine. The building’s interior is cloaked with a contrasting layered décor, creating compelling frames through its openings, inviting the passers-by in the grandiose world of Miralice.

The main synthesis’ design of brass arches inspired by the Art Deco movement, due to its size and colour contrast, highlights the space’s double height, enhancing at the same time the perimetrical mezzanine. A stylish and contemporary touch is added by the presence of neon accents using the bar’s branding slogans.

The sitting areas’ layout in the interior and exterior of Miralice consist of different setups, according to their respective use. The shape of the Art Deco inspired arches can also be found on the brass wicker structures covering the plush velvet dining area.

The chosen materials balance through an interplay of textures. The banana trees and hanging plants on the edge of the mezzanine furthermore enrich the diverse plurality of elements in the bar, by highlighting the aesthetic inspiration of the tropical Art Deco of Miami, adding the finishing touches to the extraordinary design of Miralice.

MIRALICE 02
MIRALICE 03
MIRALICE 04
MIRALICE 05
MIRALICE 06
MIRALICE 07
MIRALICE 08
MIRALICE 09
MIRALICE 10
MIRALICE 11
MIRALICE 12
MIRALICE 13
MIRALICE 14
MIRALICE 15
MIRALICE 16
MIRALICE 17
MIRALICE 18

Miralice is an all-day bar & restaurant, channelling the glamour of Art Deco through a contemporary and playful tropical lens, resembling the movement’s influence in Miami.

The listed building of the late 19th century in which Miralice is founded consists of a ground floor and a mezzanine. The building’s interior is cloaked with a contrasting layered décor, creating compelling frames through its openings, inviting the passers-by in the grandiose world of Miralice.

The main synthesis’ design of brass arches inspired by the Art Deco movement, due to its size and colour contrast, highlights the space’s double height, enhancing at the same time the perimetrical mezzanine. A stylish and contemporary touch is added by the presence of neon accents using the bar’s branding slogans.

The sitting areas’ layout in the interior and exterior of Miralice consist of different setups, according to their respective use. The shape of the Art Deco inspired arches can also be found on the brass wicker structures covering the plush velvet dining area.

The chosen materials balance through an interplay of textures. The banana trees and hanging plants on the edge of the mezzanine furthermore enrich the diverse plurality of elements in the bar, by highlighting the aesthetic inspiration of the tropical Art Deco of Miami, adding the finishing touches to the extraordinary design of Miralice.